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Viva La Vida
by Coldplay

Coldplay reviews
Critic Score
Metascore: 72 Metascore out of 100
User Score  
7.7 out of 10
based on 32 reviews
Read critic reviews
How did we calculate this?
based on 154 votes
Read user comments
Rate this album

The fourth album for the English band was produced by Brian Eno and Markus Dravs.

LABEL: Capitol
RELEASE DATE: 17 June 2008
DISCS: 1 disc
GENRE(S): Rock, Alternative

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

91
Entertainment Weekly
The confident majesty of the music, however, belies how he and his bandmates have invigorated their rock-lite reign. [20 June 2008, p.65]
90
Spin
For all of Coldplay’s experimentation, though, there’s no doubting that Viva La Vida, with its sturdy melodies and universal themes--think love, war, and peace--is an album meant to connect with the masses.
Read Full Review
83
The Onion (A.V. Club)
Whatever the case, Viva La Vida sounds as if it comes as close to the experimental edge as Coldplay dares. It isn't a bad place for the group to be.
Read Full Review
80
Q Magazine
So some bad habits die hard, but on every other level Viva la Vida... is an emphatic sucess--radical in it's own measured way but easy to embrace. [July 2008, p.95]
80
Paste Magazine
The sonic deviations may challenge fans who prefer that all of the band’s releases be a shade of “Yellow.” But more daring listeners will be relieved that Martin & Co. are exploring new territory.
Read Full Review
80
Under The Radar
Even when the singer is being vague or issuing plaints, his words and voice, when coupled with the music, hold considerable sway. [Summer 2008]
80
Lost At Sea
Viva La Vida does find Martin and his bandmates willing to extend their musical boundaries, making for an occasionally brilliant album that's exponentially more vibrant and engaging than 2005's generally stale "X&Y."
Read Full Review
80
Observer Music Monthly
That it lacks any obvious singles hardly seems to matter. Viva La Vida is an assured return that should go some way to restoring Coldplays wilted critical stock.
Read Full Review
80
All Music Guide
The greatest thing Coldplay may have learned from Eno is his work ethic, as they demonstrate a focused concentration throughout this tight album--it's only 47 minutes yet covers more ground than "X&Y" and arguably "A Rush of Blood to the Head"--that turns Viva la Vida into something quietly satisfying.
Read Full Review
80
Hot Press
Chris Martin and co. return with another album guaranteed to rock arenas across the world.
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80
New Musical Express
It’s in its latter stages that Viva... truly goes stratospheric: on the magnificent orchestral pop title track, where Martin imagines himself as a deposed French king reduced to sweeping the streets; on the bruised ‘Yes’, like Dandy Warhols and Depeche Mode lost in a desert duststorm; on the Satanic blues hymnal of single ‘Violet Hill’.
Read Full Review
80
Sputnikmusic
Viva La Vida or Death and All His Friends takes a band who should have been in decline and a sound that’s been tried and true and makes it all sound fantastically fresh.
Read Full Review
80
Dot Music
Well, reports of the death of the old Coldplay have been much exaggerated.
Read Full Review
70
musicOMH.com
While this doesn't quite hit the heady heights of "A Rush Of Blood To The Heads," it's a huge improvement on the beiger than beige "X&Y," and if their next album (apparently featuring a Kylie Minogue duet!) continues this trajectory, we could have something pretty special on our hands.
Read Full Review
70
Billboard
The rest is closer to the Coldplay we know: a competent blend of heavily orchestrated redemption songs ('Viva La Vida,' already the biggest hit of the band's career), swirly arena rock ('Lovers in Japan') and life-stinks-without-you ballads ('Strawberry Swing')likely to resonate despite the new bells and whistles.
Read Full Review
70
Blender
Viva La Vida still manages to seem downsized compared to the band's gradiose early work. [July 2008, p.69]
Read Full Review
70
Boston Globe
Viva La Vida is just such an escape, a dreamy place to visit. And if it's not quite perfect, at least you get the sense that the members of Coldplay gave it their best shot.
Read Full Review
70
Rolling Stone
Coldplay's desire to unite fans around the world with an entertainment they can all relate to is the band's strength, and a worthy goal. But on Viva la Vida, a record that wants to make strong statements, it's also a weakness.
Read Full Review
70
Slant Magazine
Coldplay have come up with the rare major-label pop record that stands to move a ton of copies even as it's at least a little bit challenging to its primary audience.
Read Full Review
70
PopMatters
Viva la Vida is not their masterpiece, but for now, it’s as close as they’re gonna get.
Read Full Review
67
Austin Chronicle
It isn't perfect, but Viva la Vida re-establishes Coldplay's relevance in this era where every new indie rock band really wants to be Coldplay.
Read Full Review
65
Pitchfork
The record's violent, revolution-themed artwork is misleading. Viva is more like a bloodless coup--shrewd and inconspicuous in its progressive impulses.
Read Full Review
60
Drowned In Sound
They try hard, Coldplay, but it just isn't enough; their fourth album might just be their best yet, but it's still a long way from being the epochal classic that Chris Martin is desperate to create.
Read Full Review
60
NOW Magazine
Viva La Vida starts off with promise for fans who felt that "X&Y" was a far cry from "A Rush Of Blood To The Head."... Unfortunately, the rest of the record fails to build on this.
Read Full Review
60
Uncut
When it's not straining for Significance, though, Viva La Vida is often rather lovely.
Read Full Review
60
Mojo
While they fight shy of radical "Kid A"-style reinvention, hats should be doffed to Coldplay for at least having artistic cojones to mess with a winning formula. [July 2008, p.101]
60
The Guardian
Lyrics aside, Viva la Vida fixes most of the glaring problems with 2005's "X&Y," simply by eschewing verse-chorus structures in favour of something more episodic.
Read Full Review
60
No Ripcord
What they’ve given us is an exquisitely polished blur, enjoyable at times, mildly challenging at others, but nothing that you couldn’t feel comfortable piping in as background for the Sunday barbeque with the Petersons.
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50
Village Voice
When the pastoral Eno flourishes that started Vida off so promisingly return for a quick coda, Martin reverts back to his suavely crooning self, but blows it with his first four words: "And in the end . . . . " Bam, you're thinking 'Abbey Road,' and while Vida is far from a dog, it's just another unflattering comparison that the record itself needlessly invites--an extremely overconfident way to handle a crisis of confidence.
Read Full Review
50
Tiny Mix Tapes
Coldplay’s all about elongation this time around, and if you couldn’t tolerate their dramatics before, Viva la Vida will do nothing for you. Don’t get me wrong; to my ears, this is the group’s strongest offering yet, but since this album is the same old naive romanticism theatrically propped on a pedestal, it’s not really saying a lot.
Read Full Review
50
Hartford Courant
It's an improvement on the band's impressively dull 2005 album, "X&Y," but Coldplay's latest doesn't recapture the promise of the band's first two albums.
Read Full Review
40
Paste Magazine
Given Eno’s quarter-century of Bono-fides, this isn’t surprising. Martin’s interests are frequently vague--on 'Lovers in Japan/Reign of Love' he sings about soldiers who must soldier on and runners who must run until the race is won. Seriously?
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 7.7 (out of 10) based on 154 User Votes
Note: User votes are NOT included in the Metascore calculation.

Kate B. gave it a2:
This is not good music. When will people see that Coldplay's music is void of any skill - Chris Martin's voice is dreary and depressing, there is nothing in the rhythm and the melodies are predictable and far too radio-friendly. It's so unbelievably dull. How is it getting these half-decent reviews? It's made for unlistening ears and car stereos, background music. Basically, it's music to be ignored.

von Thunderbolt gave it a7:
This album came as a tremendous surprise to me, a longtime fan of the band. With it's tighter (and surprisingly deeper) sound, the Coldplay really started expanding their boundaries more. X & Y was nothing but a letdown, an album that played out as an empty and heartless ballad barrage. A Rush of Blood to the Head was solid, but this album comes closest to equaling the nearly sweet, wonderful sound of the band's first -- Parachutes. This project certainly boasts a higher production value and grandiose feel -- a move that many Coldplay fans will appreciate.

Diego M. gave it a9:
I recommend listen first to viva la vida track, it`s an excellent album, better than XY.

Joe S. gave it a4:
After 3 or 4 complete listens, I'm afraid I'm just not feeling this album like I have older Coldplay releases. Unlike most albums I actually spend money on, there's not a single song on the entire album that I feel driven to put on repeat, listen over and over to, etc. Both musically and regarding emotional impact, I feel like this is the weakest of their albums to date.

Zia zia gave it a4:
I am a hardcore Coldplay fan who was eagerly waiting for this one. I couldnt believe myself that I bought the album, heard it once and somehow got rid of it by returning it! This album is dissappionting when compared to their previous classics. This is sad. I could clearly feel while listening to it that the band did it for a formality. The spirit is gone.They sounded so obsolete, so repetitive and very predictable.

Luis A gave it a7:
very disappointing, the band´s betting on being the next u2 instead of continuing the great job doing on Parachutes and on A Rush Of Blood To The Head. They´re pretending they´re making an avant garde record, while all their making an over-produced product with no heart whatsoever.

Paul L. gave it a10:
Best album yet. Brilliant song writing and performance.

Read more user comments...

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