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65
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64
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64
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63
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61
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60
Traitor
57
Journey to the Center of the Earth 3D
55
House Bunny, The
54
You Don't Mess with the Zohan
54
Get Smart
53
Sex and the City: The Movie
53
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52
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51
Mamma Mia!
51
Step Brothers
49
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47
Swing Vote
47
X-Files: I Want to Believe, The
43
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42
Death Race
36
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36
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35
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35
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34
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31
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26
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24
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83
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82
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80
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80
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80
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80
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79
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78
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78
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77
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75
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75
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74
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74
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74
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73
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73
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72
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72
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72
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71
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71
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71
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70
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67
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67
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66
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66
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66
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Stars indicate the most critically-acclaimed movies.
|
Strangers, The
Rogue Pictures (Universal Pictures)
MPAA RATING: R for violence/terror and language
Starring
Liv Tyler,
Scott Speedman,
Gemma Ward,
Kip Weeks,
Laura Margolis,
and
Glenn Howerton
The Strangers is a terrifying suspense thriller about a couple whose remote getaway becomes a place of terror when masked strangers invade. The confrontation forces Kristen and James to go far beyond what they thought themselves capable of if they hope to survive. (Rogue Pictures)
| GENRE(S): |
Horror
|
Mystery
|
Suspense/Thriller
|
| WRITTEN BY: |
Bryan Bertino
|
| DIRECTED BY: |
Bryan Bertino
|
| RELEASE DATE: |
Theatrical: May 30, 2008
|
| RUNNING TIME: |
90 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
91
The Onion (A.V. Club)
Scott Tobias
It isn't particularly original--for one, it owes an unacknowledged debt to the French film "Them"--but as an exercise in controlled mayhem, horror movies don't get much scarier.

90
The New York Times
Jeannette Catsoulis
This is no splatter movie: spare, suspenseful and brilliantly invested in silence, Bryan Bertino's debut feature unfolds in a slow crescendo of intimidation.

80
The Hollywood Reporter
Michael Rechtshaffen
A spare, creepily atmospheric psychological thriller with a death grip on the psychological aspect.

75
The Globe and Mail (Toronto)
Jennie Punter
Both Speedman and Tyler deliver solid, nuanced performances as a couple caught at the most fragile moment in their relationship.

75
TV Guide
Maitland McDonagh
There's nothing more to it than meets the eye, but Bertino understands the mechanics of suspense and knows how to use them.

75
Chicago Tribune
Jessica Reaves
Bertino's taut, spare thriller is plenty scary without relying on pseudo-historical context. Anchored by convincing performances from Scott Speedman and Liv Tyler, both of whom elevate their roles above the standard horror-movie caricature, this is an enormously unsettling movie.

75
ReelViews
James Berardinelli
This is one of those rare horror movies that concentrates on suspense and terror rather than on gore and a high body count.

70
Village Voice
Ed Gonzalez
Bertino teases with the unknown until he's left no pimple ungoosed. Sometimes avoiding the synapse-raping bad habits of splat packers Eli Roth and Alexandre Aja is its own reward; doing so without also submitting to Michael Haneke–style hand-slapping is nearly monumental.

70
Variety
Dennis Harvey
It's all efficiently nerve-jangling, with Tyler and Speedman credibly registering every hue of panic. Still, after such a long, creepy, cannily restrained buildup, it must be said the resolution is rather flat, a full-circle postscript rote.

70
Chicago Reader
J.R. Jones
There's nothing remotely new here, but the movie has the taut, queasy feel of an early 70s drive-in shocker: old-fashioned suspense without any guarantee of old-fashioned mercy.

67
Entertainment Weekly
Owen Gleiberman
Bryan Bertino, stages The Strangers' early scenes with spooky panache...But then comes the blood, the shrieking midnight chase scenes, the anything-goes over-the-top-ness. In other words, everything that we liked the movie for not being.

67
Austin Chronicle
Marjorie Baumgarten
Younger viewers who've cut their teeth on the instant horrors of modern "torture porn" may find The Stranger's pace and psychological upsets more slow-going than they might like. Yet a film like this may be just the bracing corrective the modern horror film needs.

60
New York Daily News
Elizabeth Weitzman
Bertino does an excellent job building dread, especially during the first half of the movie. Every silence, pause and sudden noise startles - and the results, frankly, are more frightening than the graphic torture scenes in movies like "Hostel" and "Saw."

60
Film Threat
Rick Kisonak
Ultimately, The Strangers does succeed in the sense that it offers a riveting, vastly credible enactment of everyone's worst nightmare.

50
Portland Oregonian
M. E. Russell
As pointless suspense exercises go, The Strangers at least gets off to a good start.

50
Miami Herald
Rene Rodriguez
You can only string an audience along for so long with scary masks and sudden appearances at the window, and after a while, the suspense starts seeping out of The Strangers, because you realize that's all there's going to be to the movie.

38
Chicago Sun-Times
Roger Ebert
The movie deserves more stars for its bottom-line craft, but all the craft in the world can't redeem its story.

30
NPR
Bob Mondello
What possessed Liv Tyler to take a role in this sadistic, unmotivated home-invasion flick.

25
Christian Science Monitor
Peter Rainer
Sometimes, dear reader, there's no place like home, and that's just where you should be when this gorefest opens at a theater near you.

25
San Francisco Chronicle
Mick LaSalle
Here's the tricky thing about The Strangers. Sure, it uses cinema to ends that are objectionable and vile ... but it does it well, with more than usual skill.

25
Charlotte Observer
Lawrence Toppman
Bertino directs at a funereal pace. Speedman remains comatose, though Tyler flickers fitfully to life. The mournful look on her face suggests she's remembering the days when she was given more psychologically complex scripts, such as "Armageddon."

25
Philadelphia Inquirer
Steven Rea
No one is getting at anything in The Strangers, except the cheapest, ugliest kind of sadistic titillation.

25
Seattle Post-Intelligencer
William Arnold
Is Hollywood so disconnected from its past and bankrupt of ideas that it doesn't even know this movie is a screaming cliché?

20
Washington Post
Stephen Hunter
I like watching snakes eat mice just as much as the next fella, maybe even more, but The Strangers turns the gobble-'em-up into an ordeal. It's a fraud from start to finish.

12
New York Post
Kyle Smith
The bad movie in my head was far better than the one on-screen, which offers no twists at all. A twist? There isn't even a curl or a bend.

12
Boston Globe
Wesley Morris
A horror film with a moral. No matter how nasty a gang of murderers is, the moviemaker calling the shots is ultimately worse.

0
Baltimore Sun
Michael Sragow
All it offers is sadism, impure and simple.


The average user rating for this movie is 7.0 (out of 10) based on 113 User Votes
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